Sunday, 10 May 2009
- Music.
- A style of music, native to America, characterized by a strong but flexible rhythmic understructure with solo and ensemble improvisations on basic tunes and chord patterns and, more recently, a highly sophisticated harmonic idiom.
- Big band dance music.
- Slang.
- Animation; enthusiasm.
- Nonsense.
- Miscellaneous, unspecified things: brought the food and all the jazz to go with it.
v., jazzed, jazz·ing, jazz·es. v.tr.
- Music. To play in a jazz style.
- Slang.
- To exaggerate or lie to: Don't jazz me.
- To give great pleasure to; excite: The surprise party jazzed the guest of honor.
- To cause to accelerate.
To exaggerate or lie.
phrasal verb:jazz up Slang.
- To make more interesting; enliven: jazzed up the living area with beaded curtains.
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THE INTERNATIONAL JAZZ AWARDS
CONTEMPORARY
1. Outstanding Performance in a Vocal (Male)
2. Outstanding Performance in a Vocal (Female)
3. Outstanding Performance in a Duo or Group/Instrumental
TRADITIONAL
4. Outstanding Performance in a Vocal (Male)
5. Outstanding Performance in a Vocal (Female)
6. Outstanding Performance in a Duo or Group/Instrumental
SWING
7. Outstanding Performance in a Duo or Group/Instrumental
BRAZILIAN
8. Outstanding Performance in a Vocal (Male)
9. Outstanding Performance in a Vocal (Female)
10. Outstanding Performance in a Duo or Group / Instrumental
LATIN & AFRO-CUBAN
11. Outstanding Performance in a Vocal (Male)
12. Outstanding Performance in a Vocal (Female)
13. Outstanding Performance in a Duo or Group / Instrumental
FUSION
14. Outstanding Performance in a Duo or Group/Instr
umental
DIXIELAND
15. Outstanding Performance in a Duo or Group/Instrumental
16. Outstanding Performance of a New Artist – Vocal/
Duo or Group/Instrumental (US)
17. Outstanding Performance of a New Artist – Vocal/Duo or Group/Instr. (International)
ADDITIONAL CATEGORIES
18. Outstanding Song of the Year
19. Outstanding Album of the Year
20. Producer of the Year
21. Outstanding Performance in a Live Album
22. Outstanding Performance in a Holiday Album
23. Outstanding Motion Picture Soundtrack of the Ye
ar
24. Outstanding Performance of a New Artist in Duo or Group/Instr. in Hip-Hop Jazz
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:: BBC Jazz Award 2008 ::
- Rising Star Award – Kit Downes
- Best Vocalist Award – Christine Tobin
- Best Instrumentalist Award – Tony Kofi
- Album Of The Year Award – The Blessing, All Is Yes
- Services To Jazz In The UK Award – Alan Bates
- BBC Radio 3 Jazz Line-Up Best Band Award – Curios
- BBC Radio 3 Jazz On 3 Innovation Award – Fraud
- BBC Radio 2 Jazz Artist Of The Year Award – Humphrey Lyttelton
- BBC Radio 2 Heart Of Jazz Award – Tommy Smith
- International Award – Charlie Haden
- Lifetime Achievement Award– Chick Corea & R eturn To Forever
- Gold Award – Sir John Dankworth & Dame Cleo Laine
International Association for Jazz Education (IAJE)
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Added: 0000-00-00 | Updated: 2003-12-04
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Address
International Association for Jazz Education (IAJE)
P.O. Box 724
Manhattan, KS 66505
785-776-8744
785-776-6190 (fax)
About
With a mission to ensure the continued growth and development of jazz through education and outreach, the International Association for Jazz Education (IAJE) serves 8,000 members in 40 countries. A voluntary non-profit organization, IAJE initiates programs which nurture the understanding and appreciation of jazz and its heritage, provides leadership to educators regarding curriculum and performance, and assists teachers, students, and artists with information and resources. The IAJE Annual Conference, held each January, is acknowledged as the largest annual gathering of the global jazz community.
Louis Armstrong
Louis Armstrong was born in a poor section of New Orleans known as “the Battlefield” on August 4, 1901.By the time of his death in 1971, the man known around the world as Satchmo was widely recognized as a founding father of jazz—a uniquely American art form. His influence, as an artist and cultural icon, is universal, unmatched, and very much alive today.
Louis Armstrong’s achievements are remarkable. During his career, he:
- developed a way of playing jazz, as an instrumentalist and a vocalist, which has had an impact on all musicians to follow;
- recorded hit songs for five decades, and his music is still heard today on television and radio and in films;
- wrote two autobiographies, more than ten magazine articles, hundreds of pages of memoirs, and thousands of letters;
- appeared in more than thirty films (over twenty were full-length features) as a gifted actor with superb comic timing and an unabashed joy of life;
- composed dozens of songs that have become jazz standards;
- performed an average of 300 concerts each year, with his frequent tours to all parts of the world earning him the nickname “Ambassador Satch,” and became one of the first great celebrities of the twentieth century.
Through the years, Louis entertained millions, from heads of state and royalty to the kids on his stoop in Corona. Despite his fame, he remained a humble man and lived a simple life in a working-class neighborhood. To this day, everyone loves Louis Armstrong—just the mention of his name makes people smile.
Louis Armstrong Timeline:
Born in New Orleans, Louisiana, August 4th 1901 to Mayanne and William Armstrong.
Circa 1907
Louis and three other boys form a vocal quartet and perform on street corners for tips. The Karnofskys, a family of Russian Jewish immigrants, hires Louis to work on their junk wagon. Louis purchases his first cornet with money loaned to him by the Karnofskys.
31 Dec. 1912
Fires a pistol in the street to celebrate New Year's Eve. A nearby policeman arrests Louis and the next day he is confined to the Colored Waif's Home for Boys.
1913-1914
While in the Waif's Home, Louis receives musical instruction from the band director, Peter Davis, and eventually becomes leader of the Waif's Home band.
1914-1917
Released from the Waif's Home (16 June 1914). Lives briefly with his father, William Armstrong, then returns to his mother. Joe Oliver, one of the finest trumpet players in New Orleans, becomes Louis's teacher and mentor. Performs in New Orleans's honky-tonks with local groups. Delivers coal and sells newspapers to help feed himself, his mother, and his sister.
1918
Marries Daisy Parker, a prostitute from Gretna, Louisiana. Joe Oliver moves to Chicago and Louis takes his place in the Kid Ory band, a leading group in New Orleans.
May 1919
Bandleader Fate Marable hires Louis to perform on river boats that traveled the Mississippi.
August 1922
Moves to Chicago to play second cornet in the band of Joe Oliver, now nicknamed "King Oliver." Separates from Daisy.
5 April 1923
Makes his first recordings at the Gennett Studios in Richmond, Indiana, as a member of King Oliver's Creole Jazz Band.
Feb. 1924
Marries Lil Hardin, the pianist in the King Oliver's Creole Jazz Band.
1924
In September, moves to New York City to join the Fletcher Henderson Orchestra at the Roseland Ballroom. Makes first recordings with Henderson. Records with Sidney Bechet. Records with blues singers, including Sippie Wallace and Clara Smith.
1925
Records with blues singer Bessie Smith. Records with Clarence Williams. In November, quits Fletcher Henderson and returns to Chicago.
12 Nov. 1925
Makes his first recordings as a leader with his own group, Louis Armstrong and His Hot Five.
1925-1928
Performs with Erskine Tate at the Vendome Theatre. Continues to record with the Hot Five. Performs at the Sunset Cafe with the Carroll Dickerson Orchestra. Meets Joe Glaser (who will later become Louis's manager). Briefly leads a band, Louis Armstrong and His Stompers, at the Sunset Café. Records "West End Blues" (28 June 1928) which becomes one of the most famous recordings in early jazz.
1929
Moves to New York City. Performs at Connie's Inn with the Carroll Dickerson Orchestra. Appears in the broadway show, Hot Chocolates. Tommy Rockwell becomes Louis's manager.
1930
Performs in Baltimore, Chicago, Detroit, Pittsburgh, and Washington, D.C. Appears at Frank Sebastian's Cotton Club in California. Records "Blue Yodel Number 9" with Jimmie Rodgers (the "Father of Country Music").
1931
Separates from Lil Hardin (August). Appears in his first film, Ex- Flame. Johnny Collins becomes Louis's manager. Extensive tour of midwest and south. First records "When It's Sleepytime Down South," which becomes Louis's theme song.
1932
Travels to London upon the SS Majestic . Tours great Britain for three months (July - November).
1933-1934
Performs in Kentucky, Indiana, Illinois, and Nebraska. In July 1933, returns to London. Tours Britain, Denmark, Norway, and Holland. Ten thousand people greet him at the railway station in Denmark. For much of 1934, lives in Paris.
1935
Returns to the United States (January). Joe Glaser becomes Louis's manager (and remains Louis's manager until his death in 1969). Appears at Connie's Inn in New York City.
1936
Portrays a bandleader in the motion picture Pennies from Heaven with Bing Crosby. Records "Swing That Music" (which amazed audiences by Louis's hitting forty-two high Cs followed by a high E-flat). Publication of Louis's autobiography, Swing That Music (which, unfortunately, is heavily edited by the publisher).
1937
Hosts the Fleischmann's Yeast Show, a national network radio program. Appears in the motion picture Artists and Models. Films Everyday's a Holiday with Mae West.
1938
In October, marries Alpha Smith. Performs throughout deep south, including Mississippi, Alabama, and Georgia. Performs in hometown New Orleans. Films Going Places.
1939
Portrays Bottom in the musical Swingin' the Dream , a jazz version of Shakespeare's A Midsummer's Night Dream .
1940-1942
Records with the Mills Brothers. Performs in Florida, Mississippi, Albama, Georgia, South Carolina, Chicago, Canada. Marries Lucille Wilson (12 October 1942).
1943
Lucille purchases a house in Corona, Queens, New York City. Louis and Lucille live there for the remainder of their lives.
1944-1946
Appears in motion pictures Atlantic City , Pillow to Post, and New Orleans. Records with Billie Holiday. First Esquire All American Jazz Concert at the Metropolitan Opera House (1944).
1947
Performs at Carnegie Hall with a small group and his big band. Appears at Town Hall (New York City) with a small group. Breaks up the big band and forms a septet, "Louis Armstrong and the All Stars." The All Stars debut at Billy Berg's Club in Hollywood on 13 August 1947.
1948
Appears at the Nice Jazz Festival, the first international jazz festival.
1949-1951
Performs in Switzerland and Italy. Appears on The Big Show (television) with Tallulah Bankhead. Films Glory Alley. Records with Louis Jordan and with Sy Oliver.
1952
Tours Canada, Colorado, Hawaii, Germany, and Belgium.
1953
Six week concert tour with Benny Goodman cut short after Goodman becomes ill. Films The Glen Miller Story. First tour of Japan.
1954
Publishes a second autobiography Satchmo: My Life in New Orleans, which covers his life only up until 1922. Tours Australia and Japan. Records Satchmo: A Musical Autobiography for Decca Records. Records Louis Armstrong Plays W.C. Handy for Columbia Records.
1955
Performs in Los Angeles and in New Orleans. Performs in Sweden, the Netherlands, and Italy. Appears on the Ed Sullivan Show. Records "Mack the Knife" for Columbia Records. Records Satch Plays Fats (an album of compositions by Fats Waller) for Columbia Records.
1956
Appears in the motion picture High Society with Bing Crosby and Grace Kelly. First tour of Africa. Performs for 100,000 at the polo grounds in Accra. Edward R. Murrow makes the documentary Satchmo the Great. Tours Australia and Japan. Records with Ella Fitzgerald for Verve Records.
1957
Tours South America and Europe. Speaks out strongly against racial injustice--especially the refusal of Little Rock, Arkansas, to integrate its schools--and cancels his tour of Russia in protest. Records with Ella Fitzgerald for Verve Records.
1958
Louis's appearance at the Newport Jazz Festival is captured in the motion picture Jazz on a Summer's Day. Appears twice on the Timex Show (NBC television). Films The Five Pennies with Danny Kaye. Films The Beat Generation.
1959
Performs in Sweden, Denmark, the Netherlands, Germany, and Italy. Has heart attack in Spoleto, Italy and is briefly hospitalized. Appears on the Ed Sullivan Show, and the Bing Crosby Oldsmobile show.
1960-1963
Makes second tour of Africa. Films Paris Blues on location in Paris. Appears at the Newport Jazz Festival each July (1960-1963). Records ten selections with Duke Ellington, their only collaboration in the recording studio (1961). Performs for President John F. Kennedy (1963).
1964
"Hello Dolly" becomes number one hit. Performs in Las Vegas. Tours Puerto Rico. Appears as mystery guest on television show, What's My Line?.
1965
Tour of eastern Europe. Given the "Key to the City" of New Orleans. Enjoys sold-out performances in Montreal, Toronto, and Las Vegas. Films When the Boys Meet the Girls and A Man Called Adam. Broadcasts over Voice of America from the Monterey Jazz Festival. Appears oin television shows, The Dean Martin Show and Shindig.
1966
Performs the summer season (July - Sept.) at Jones Beach Marine Theatre in Long Island. Appears on The Dean Martin Show and the Danny Kaye Show.
1967
Performs in Dublin, Antibes, St. Tropez, and Majorca. Appears on The Tonight Show with Johnny Carson, the Kraft Music Hall show and the Jackie Gleason Show. Appears on Operation Entertainment, a television broadcast from Fort Hood (the US Army's largest base, located in Killeen, Texas). Records "What a Wonderful World" for ABC Records.
1968
"What a Wonderful World" becomes a hit in Great Britain. Performs in Las Vegas, Pennsylvania, Maine, New York, and Mexico. Films scene for motion picture Hello Dolly with Barbra Streisand. Records Disney Songs the Satchmo Way.
1969
From February to April is in Beth Israel Hospital due to heart problems. Joe Glaser (Louis's manager since 1935) dies. Travels to London and records soundtrack for On Her Majesty's Secret Service.
1970
The Newport Jazz Festival presents a tribute to Louis Armstrong featuring Mahalia Jackson, Dizzy Gillespie, Bobby Hackett, and the Eureka Brass Band. Appears on many television shows, including: Dick Cavett Show, David Frost Show, the Tonight Show, and the Flip Wilson Show.
1971
Appears on many television shows, including the David Frost Show, the Dick Cavett Show, the Tonight Show, and a television special with Pearl Bailey. Records the poem "The Night Before Christmas" in the den of his Corona home. (It becomes his last commercial recording.) Performs for two weeks in the Empire Room of the Waldorf Astoria hotel in New York City.
6 July 1971
Passes away in his sleep at his home in Corona
- Japanese Free Improvisers
Profiles, essays, discographies, and upcoming schedules of selected Japanese free improvisers.
www.japanimprov.com/index.html - Wikipedia: Free Jazz
Article on the jazz movement and style characterized by a diminished dependence on formal constraints.
en.wikipedia.org/wiki/Free_jazz - Free Jazz Discussion
Devoted to an ongoing discussion. Vistors are invited to participate.
www.freejazz.org - The Jazz-Punk Connection
Article by Billy Bob Hargus drawing a direct connection between the free jazz of the 1950s and the punk rock scene in the 1960s.
www.furious.com/perfect/jazzpunk.html - European Free Improvisation
Audio clips, video clips, concert listings, biographies and record labels involved with free improvised music in Europe.
www.shef.ac.uk/misc/rec/ps/efi/index.html - londonimprov
Features event listings, MP3s, photos, video clips, and articles about improvised music in London and internationally.
www.londonimprov.com - A Love Supreme: Ian's Guide to the Ecstatic Spirit In Jazz
Featuring information about John and Alice Coltrane and Pharoah Sanders.
members.aol.com/ishorst/love/index.html
Saturday, 9 May 2009
:: Saxophones :
- Sopranino saxophone
- Mezzo Soprano sax
- Soprano saxophones
- Alto saxophones
- Melody saxophone
- Tenor saxophones
- Baritone saxophone
- Bass saxophone,
- Contrabass saxophone,
- Subcontrabass saxophone,
:: Trumpets (with mutes):
- Bb Trumpets
- Trombones
- Tenor Trombones
- Bass Trombone
:: Additional Winds:
- Piccolo
- Alto Flute
- C Flute
- Bb Clarinet
- Bass Clarinet
- Tuba
- Steinway B grand pianoVintage electric piano
- Jazz Accordion
:: Guitars :
- Electric guitars,
- Acoustic guitar
:: Basses :
- Upright acoustic basses,
- Fretless electric basses,
- Fretted electric basses
:: Drum Kits:
Classic Stick kits
Fusion Stick Kit
plus separate instruments (kick, snare, toms, hi-hat, cymbals)
Brush kit plus separate instruments
:: Percussion :
- Vibraphone
- bongos, congas, timbales, wood blocks, bells, whistles

A Ukulele in Jazz design:



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